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Minimalism describes an end state: fewer things, often a specific look. Danshari (断捨離) describes a process, and notably its first step is not throwing anything out. You can be a minimalist who still shops compulsively, and you can practise danshari in a full, comfortable house.
What the three characters actually mean
断 — refusing what tries to come in. The purchase not made, the freebie declined, the sample not accepted. This is first for a reason: it is the only step that prevents work rather than creating it.
舍 — releasing what is already here. This is the part everyone recognises as decluttering, and it is the middle step, not the whole practice.
離 — the state you arrive at when you no longer need the objects to feel secure. It is not asceticism. It is not needing to own a thing in order to feel that a possibility is still open to you.
The ordering carries the whole idea. Cleaning out a cupboard while the inflow continues is maintenance, not change. Most people who "declutter every spring" are stuck on the second character.
Where minimalism is genuinely better
Minimalism gives you a target you can see, and visible targets are motivating in a way that process language is not. It has produced good, concrete practices: one-in-one-out, capsule wardrobes, hard caps on category counts. If you respond well to rules and numbers, this is a real advantage.
It is also honest about aesthetics in a way people pretend not to care about. Wanting a calm room is a legitimate reason to own less, and there is no need to dress it up as philosophy.
Where minimalism goes wrong
The failure mode is the number becoming the point. Owning exactly one hundred things says nothing about whether you use them, whether you keep buying, or whether the count is maintained by borrowing from other people. Photogenic emptiness can coexist with the same consumption pattern that filled the room in the first place — the goods simply cycle through faster.
The second failure is treating fewer as always better. A cook needs more kitchen tools than someone who reheats things, and being short of a tool you need every week is not a virtue. The right number is set by your life, not by a genre.
How to actually combine them
Take the ordering from danshari and the concreteness from minimalism. Put your effort at the front of the pipeline — the checking habit before a purchase — and use minimalism's rules where they help: a cap on a category you know you overbuy, one-in-one-out on clothing, a hard limit on the number of "just in case" duplicates.
And measure the thing that actually matters, which is not the count. It is what fraction of what you own is in circulation. A home where nearly everything gets used is in good shape at any number. A home where half the objects have not moved in a year has a problem whether it holds two hundred things or two thousand — and that fraction is something you can only see if you know both what you own and when you last touched it.